Once again Selvaraghavan has proved that he is the master of romantic entertainment. The script of Yaradi Nee Mohini has a perfect combination of all aspects that make a good film for all classes of audience.
Is it possible to give a film without punch lines, Kuthu songs, unbelievable stunts, idiotic sentiments and third rated comedy in these days? Most of the time the answer is negative for this question, but sometimes we get the positive answer like Santosh Subramaniam.
Sundar C, the director known for his commercial success with low budget mass masala flicks, has now established himself as a successful commercial hero too.
What is our culture? Youngsters, who are always searching girls with lust, must at least once see Kannum Kannum to know the meaning for this question! Kannum Kannum is surely a new as well as different attempt of the debutant director G Marimuthu, who impresses the viewers in many aspects through his neat script.
The stories on the in-fights or the ego clashes of cinema makers is not new to Tamil viewers. We are experienced with stories that revolve around some hard working but unsuccessful filmmakers right from the days of Sarvar Sundaram.
Raman Thediay Seethai is the first film of Moserbaer in Tamil as an individual producer. Since they have launched its production house with the intention of making good films, this project would be one such category. Speaking about the
After comedy riots like Friends and Engal Anna, ace Malayalam director Siddique come out with Sadhu Miranda, a poor cocktail of comedy, sentiment and action.
Director Prem, a London based NRI once again come to Tamil Cinema with his typical action movie. After Krotham and Veeramani, the actor cum director is back for the fourth time as hero with his Ashoka.