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Pazhassi Raja – Review

Mammootty
The long anxious wait is over and the classic movie Pazhassi Raja has released in all the major theatres with much enthusiasm. The Hariharan – MT Vasudevan team is back with their historical venture with Mammootty at the helm. Oru Vadakkan Veeragatha was a novel venture and Pazhassi Raja can only heap laurels on the makers for their creative endeavour.

Pazhassi raja travels back in time to the 18th century when Kerala Varma Pazhassi Raja hailing from the Kottayam Royal family stood up to face the unjust policies of the East India Company which had tried to establish its regime. Pazhassi Raja raised his voice against the unjust revenue policy, which they tried to impose in Malabar. The tax policy caused much chaos and there was widespread agitation.

The film opens with Veeravarma essayed by veteran actor Thilakan sending a letter to the East India Company informing them of collecting taxes on their behalf. This endeavour is later taken up by Pazhayamveedan Chandhu played by Suman. However Pazhassi Raja strongly opposes this move and harps on guerilla warfare to establish peace in the area.

The Company unable to come to terms with Pazhassi Raja"s rebellion enters into a treaty with him. However as we are all aware of the Company treacherous ways, they do not keep their word and leads to a war between Kerala Varma Pazhassi Raja and the East India Company. The Kurichiyar tribe members offer support to the king in his fight for justice.

Thalakkal Chanthu (Manoj K Jayan) leads the tribals, while Edachena Kunkan (Sarath Kumar) the commander-in-chief of Pazhassi Raja offer unflinching support to the King. The Lion of Kerala, as he was fondly known had to forsake his kingdom and family in this war for freedom.

Mammootty has proven once again that he has more mettle than anyone can vouchsafe for. Tamil actor Sarath Kumar is a pleasant surprise and Manoj K Jayan is back with a bang. The manliness of these three characters is a novel sight for the audience. Kaniha as Pazhassi Raja"s wife Makkam, Suresh Krishna as Kaitheri Ambu, Lalu Alex as Emman Nair, Captain Raju as Unni Mootha add to the meaning of the cinema. So also Peter Evans as Major James and Harry Key as Thomas, the representatives of the East India Company deserve special credit for their performance.

With the music by Ilayaraja and special sound effects by Resul Pookutty, the movie is a treat for movie lovers. Technically, the movie scales higher and so does the camera work by Venu and Ramanath Shetty.

The film suffers from minor hitches like the foreign accent of Padmapriya who has dubbed for herself and some sloppy fight scenes. However one may overlook these weaknesses, considering the film in its entirety. History let us leave it to the historians, but as a piece of art, the movie definitely commends applause. Awards are definitely in the line we hope for Pazhassi Raja.
 
User Comments
jaada thendi 05 Dec 2009 01:28 am
its a good movie. but i have no idea how they summed up the courage to approach the delhi high court demanding that it be included in the indian panorama at IFFI...! the firangs in the movie look like they were recruited from kovalam beach after promising them crack.
Keerthi Varman 23 Nov 2009 05:48 pm
The story of Pazhassi Raja has to be told, and retold and passed on through generations with pride, but not in such a slow paced and lengthy format. Though the intentions behind making this movie are genuine and respectable, the manner in which it has been presented to the public is tad too tiresome and mind numbing. Mammoty, as always with his dignified and distinguished presence, an understated and underplayed role essayed brilliantly. Supremo Sarath kumar with his six pack, steals the scenes just with his majestic make-up and magnificent built-up. The surprise package and the clear winner amongst the whole movie is none other than Padmapriya, fighting all the way through with bows and arrows, and sickle and sticks. Lady luck keeps to be smiling all the time on this MBA management consultant, who has been landing up all the plum roles that offer a lot of diversity (remember Mirugam, Satham Podathey, Thavamaai Thavam inrudhu, Pokkisham). On the other hand, it is just a sulk, weep and cry show by Kaniha, who does nothing much in the movie. The movie is a visual treat, with scenic locales of exotic beaches, breathtaking backwaters, lush green mountains, all captured stunningly by Ramanath Shetty. The authenticity behind the period costumes, jewels, furniture and utensils add a lot of royal grace and regal grandeur to the movie. Everybody knows what would happen to kings who face the British – that they would eventually die fighting. So when there is nothing new to offer in the story department, steps should have been taken in developing an interesting and innovative screenplay, which is totally missing in this movie. This multilingual biopic magnum opus is a mega serial on the big screen. The Malayalees might have a lot patience to sit through this movie and even appreciate it, but for the others, it is a sheer endurance and tolerance test to keep our sanity intact without dozing off. Salute the freedom fighter, but stay away from the film.
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